#45#
[this post is a consolidation of comments and posts both at Also Also and elsewhere; its length is a function of the effort at putting all the material in one place. In places I have edited the material, links are provided for the full versions.]
It appears that unless something fairly unusual happens, John Bolton's status in committee will be decided tomorrow. As most are familiar, one of the most notable witnesses in the drawn-out Foreign Relations drama is Dallas businesswoman Melody Townsel, whose allegations seemed to personify in example the lack of Bolton's social skills as others see them. However, shortly after coming forth, she felt compelled to reveal elements of her past--plagiarism-- in an attempt to get ahead of a scandal story, getting her version out first. And then Also Also got tangentially involved, as a key player in her revelation story began commenting in response to a piece I did on her confession.
The break on the story before Bolton's hearing came through a reader at Daily Kos posting as "amyindallas," who said her friend was alleging harassment by Bolton. Being chased down the hall of a Kyrgish(?) hotel makes for racy hearing content, certainly. Over the next ten days, amyindallas provided somewhat of a PR front for Townsel, reporting on corroborations of her story, asking Kossacks to help protect her from political smears..and then, on April 25th, a diary ominously titled, "Important Melody Townsel revelation--PLEASE DISSEMINATE".
The diary contained a confession to plagiarism twenty-two years earlier, 10 years before her encounter with Bolton. Townsel's stated intent was to get things out into the open, and hopefully thus deflect some of the political fallout that might have been expected on the issue of her credibility. At the time I read it, I was impressed with the forthrightness and courage, and the smart move to reveal everything up front, right away--so I did her the service amyindallas asked for; I posted it here.
For two days nothing happened. We received one comment, and the story moved down the page. But on the 28th, this appeared:
What does it mean if you "confess" to committing plagiarism 22 years
ago, but lie about the particulars of the plagiarism? That's the case
here.
Posted by: bw | April 28, 2005 07:12 AM
This seemed like rather a bombshell, and as far as I suspected, a bit of troll fishery going on. Donning my skeptic's hat, I replied,
bw, I'm unaware of what you're referring to, and as yet I'm unable to
find any google reference to there being a problem with her story about
plagiarism. Can you be specific on what you're talking about?
The response to that was definitely more detailed, and seemed to be a synoposis of an article at a college paper in Texas, The University of Texas at Arlington Shorthorn:
The "other college newspaper" she refers to is "The Shorthorn" at the
University of Texas at Arlington. It was not a review for a local play
that got her dismissed from The Shorthorn. It was a two-page
(broadsheet) commentary on world hunger -- 90 percent of which was
plagiarized word for word from Newsweek and Time. And to say "we
mutually agreed that I would no longer submit stories to them" makes it
sounds as if she was occasionally submitting stories. She was, however,
the editorial page editor of the paper.
Well then. That certainly seems odd, but I don't get it--why would she lie in a confession whose sole point was to protect her credibility? And why would she lie about something so verifiable? I'm still suspicious, and I continue to believe the commenter is working off the Shorthorn article for their information:
I agree there are discrepancies between the two accounts, but the
Shorthorn account appears incomplete, or at least does not attempt to
deal with any of the discrepancies. Does the editor have any
recollection of a "theater piece?" Without disciplinary measures
revealed, it's hard to say what happened, and I don't think it's clear
that there were two substantiated allegations of copying--just the one.
A little more information is revealed:
I can assure you that there was no "theater" piece. The article that
led to Melody Townsel's dismissal from the paper at the University of
Texas at Arlington was the two-page commentary she wrote as the
editorial page editor that was plagiarized from Time and Newsweek.
My only point is that she is speaking untruthfully about the very
thing she's "confessing" to. She admits to plagiarizing columms (from
the Dallas Morning News) when she was at Abilene Christian University,
and then fabricates a lie about what she did at the University of Texas
at Arlington months later. What does that tell you?
...
I have followed this chain of events with great interest since it
was first brought to my attention several days ago. I know Melody or,
more precisely, I worked with Melody when we were students together at
the University of Texas at Arlington and working together on the
student publication, The Shorthorn. I am painfully aware of the facts
in this case, and so reading Melody's "confession" was not a pleasant
ride down memory lane -- nor do I imagine it was for her, although I
sincerely wish she had been more truthful about an event that hurt so
many people.
Well goodness, now we have something--a first person account of the event Melody is confessing to! At least, that's what they're claiming they have. I'm intrigued, and I try to draw the person out, which is successful. The commenter identifies himself, and spills the story:
I know that my representation of the facts is correct because I'm
the sad fellow that discovered Melody's plagiarism in The Shorthorn at
the University of Texas at Arlington. I can assure you that it was one
of the bleakest moments of my career as I took a red pen and underlined
line after line after line after line of plagiarized copy in one of the
longest articles The Shorthorn had ever published. As our adviser said
at the time, and later, she was too good a writer to have committed
such an offense, and yet she did.
I became aware of Melody's involvement in the Bolton confirmation
hearings when someone sent me an e-mail pointing me to the day's news
stories. When I saw that Sen. Joe Biden was reading her infamous letter
to the committee, I cringed -- making the immediate association with
Melody's plagiarism and Biden's own history of it that short-circuited
his presidential bid. I called the senator's office to caution him
about this because I didn't want to see the Democrats embarrassed by
revelations that a key witness had committed plagiarism in the past --
a fact that was certain to raise doubts about her story. I confess that
I was conflicted because having read about John Bolton, he didn't
strike me as a sterling choice for the U.N. position. I had the sense
that my call to Biden's office was just blown off; no doubt they
thought it was some partisan attempt to discredit Melody. So I followed
up with an e-mail, expressing my concern.
Two days later, Melody's associate posted Melody's "confession." It
my understanding that the letter was prompted by a story that was about
to be published in "the Optimist," the student publication of Abilene
Christian University, where Melody had plagiarized some opinion
columns. As I started to read Melody's letter, I thought, "Well good
for you, Melody ... get it out of the way." Then I read her version of
what happened at UTA, and I could only shake my head, trying my
bewildered best to understand.
Hours after reading that letter, I received a call from a reporter
at The Shorthorn, asking me about what transpired in 1985 at UTA. I
answered all his questions. After speaking with him, I wrote to Melody
-- my first contact with her in 22 years -- and let her know that no
good could possibly come from her putting out a version of the 1985
events that had so little bearing on the truth, and that I had already
been asked about it.
OK, at this point I start to believe the guy. I decide to leave the question of his credibility alone, and press him for more information on the circumstances of the incident, and he complies with pleasure:
I was the editor of The Shorthorn at UTA in the fall and spring
semesters of 1984 and 1985. In September 1985, when the plagiarism
occurred, I was taking classes in the morning and working at the Dallas
Times Herald (now defunct) in the afternoon. My usual routine was to
pick up The Shorthorn and read it during my lunch hour at the Times
Herald.
I only had to read two paragraphs of Melody's opinion piece to know
that I'd read it before and that I was looking at something really
serious. It didn't take too long to find the sources, which turned out
to be lengthy articles in Time and Newsweek. I then undertook the
arduous task of underlining every plagiarized line in red -- every
non-plagiarized line in blue. It was not a pretty sight to look at that
sea of red across two broadsheet-sized pages. As a former editor of the
paper, it was heartbreaking. I reported it to the director of
publications and the paper's adviser, and presented them with the
evidence and the underlined pages that night. Needless to say, all of
us were very upset by the scale of Melody's plagiarism. Speechless,
might be a better description.
As The Shorthorn reported in its April 27 story, Melody was
confronted by the director of publications, the advisor, the
editor-in-chief and myself. I'm sure I insisted on being present out of
some sense of vanity. In reality, I was no longer on the staff of the
paper, so my part in this drama was over.
You ask questions about Melody's current intentions regarding her
version of the plagiarism at UTA that I can't answer. Why she would
turn the opinion piece into the fiction of a "review" is beyond me. Why
she would turn her senior position on the paper as the editorial page
editor into the fiction of "submitting articles" as if she was a
sporadic contributor is beyond me. Given the magnifying glass that her
accusations about Bolton put her under, I can't even begin to fathom
why she would lie about an incident of plagiarism to which she was
confessing.
And who knows? Maybe you're right. Maybe the "review" was a
plagiarism incident at a third college, and she completely left out the
incident at UTA. If that's so, then I completely misunderstood her
letter, although I'd then have to ask why her confession would omit her
most egregious exercise in plagiarism. And if there was a third
incident of plagiarism at a third college, doesn't that call her
credibility even further into question? I'm not sure I'd even want to
hazard a guess as to what that says about her character. I don't know
the answers to any of these questions because after her dismissal from
the paper, I never heard anything further about Melody until the other
day when her charges against Bolton became public.
It turns out that my attempts to caution Sen. Biden were in vain. I
could only cringe when Melody's plagiarism "confession" was read on the
air by Rush Limbaugh, who then added, "No wonder Joe Biden loves this
gal," or something to that effect.
And that's the record Theo gave us to work from initially. Using the number of the phone Carracino claimed to have received the call from the Shorthorn reporter on, I confirmed to my satisfaction that he was who he claimed to be. (He actually gave me two, both repeated by the Shorthorn reporter). Believing Also Also had stumbled onto some fairly pertinent information from a primary source, I set about finding a wider audience for his comments--both to inform the developing story, and also to see if I could get any response to what Theo was saying, since later on in the original Kos diary a poster calling herself Melody Townsel arrived:
Hello, all:
Thanks for all your tremendous support here tonight. As you might
imagine, I'm not getting much sleep this night and early morning before
I speak with the Senate, and your remarks here are making this a bit
easier.
Please do help me spread this news as far and wide as you can today.
In deep gratitude,
Melody Townsel
I did not comment in that diary, but on the 29th of April, four days after her confession appeared, I posted my own diary linking back to the original Also Also post, under the somewhat inflammatory headline, "College Editor: Melody Townsel is Still Lying." Two problems with that head are that Theo had been editor for the paper, but not at the time; and that she was lying, a conclusion Theo had reached and I'd agreed with in interpretation of his story, but which was not necessarily proven. An even greater problem was that readers of my link saw at the top the copy of Melody's statement, and were understandably confused. Once they found the parts I was trying to point them towards, much of the readership was as I expected--unfazed, perhaps even a little hostile to the diary and me. Negligibly so, perhaps, but I felt it. I essentially let the matter drop, having posted the link for comment and gotten predictable feedback--although some people claimed the search for a response by Melody was a sensible act.
A week later, Townsel was back, but this time with her own diary: "Help Me Keep it Real!" The unfortunate irony aside, I figured this was a good time to seek clarification on Theo's comments:
melody, question: (none / 1)
what
do you make of the story in the UTA Shorthorn, and the comments of the
editor at the time, Theo Carracino, who disputes your version of events
from that period? From his account it appears your confession to
plagiarism was itself misleading, regarding the circumstances of your
dismissal from that staff. I've been speaking with him personally, and
he raises some issues that I'd like you to respond to.
Melody, I'm not disputing your Bolton account at all. Certainly in
general, it fits in squarely with what a host of other people have said
about his character. I'm interested in your attempt to get out in front
of the plagiarism story, and why others are saying you misrepresented
yourself in your attempt to explain past misrepresentations.
If you'd like to respond offline, please contact me at
[email protected]. But maybe you'd like to explain publicly why
you claimed you were working on a theater piece instead of one on
African famine, and why you failed to disclose that you were fired not
once but twice for plagiarism.
TJ
by torridjoe on Sat May 7th, 2005 at 11:15:00 PDT
As of press time tonight, I have yet to see or hear of a response by Ms. Townsel to these questions--which is why in tonight's headline I refer to the allegations as unresolved. I did again receive several comments of high skepticism, which in retrospect is the same thing I showed when confronted with Theo's comments.
This diary too fell off the board and into seeming oblivion, but Kossack Glinda happened to notice a new entry two days later, from Carracino. In it, he lays out most of what I've reprinted here. This led her to coordinate all of the Kos Townsel discussion in a very comprehensive diary published yesterday, including all relevant diaries posted either by or about Townsel.
That diary obviously drew comments as well, among them a quite valid request to see proof of what Carracino was saying--that it was not a theater piece but a famine piece, that it was quite large for a college paper, and that it was clearly copied right from Newsweek. In the comments, Theo provided the proof, located in the Shorthorn archives and linked via pdf here. Go to page six of the document, for the sidebar on the two versions of the story, Townsel's and Newsweek's. [Apologies that I don't have Acrobat full version, in order to extract the texts; you'll have to read and compare them yourselves.]
Towards the end of Glinda's diary, she makes this plea for alternate explanations of the situation:
...it doesn't mean she's a liar. It means she has repressed and forgotten those years. Since she "spilled her guts" before
Theo Carracino disputed her version, it is entirely possible, to my
mind, that to her it was the truth as she remembered it -- albeit
through a veil of repressed memories. And it's possible that no old
friend has been around to disabused her of the past 22 years of
"reconstruction" (aka repression).
It's also possible that as soon as Theo posted his version she said "Oh
my God! That's right. I'd completely forgotten about that." But she
might be too concerned with her "veracity" to admit it.
This is a valid point. People suppress and distort bad memories quite often, in fact. I am certainly willing to entertain the possibility. But as yet that explanation has not been offered by Townsel herself, and at this point the ease of latching onto that explanation as exoneration would be mighty tempting. So perhaps she is not lying, but confused. As her testimony almost certainly becomes part of the debate record tomorrow, I wonder what will come out in the hearing, if anything, regarding the admission of plagiarism. If it's mentioned that her confession is disputed, I'll be mighty surprised--but you heard it here first, or second, or so.
One last oddity: it appears that "amyindallas" is Amy Hunt, a partner in Melody's PR firm. And from the diary where she posted Melody's confession, she says this: "... I worked with her at the second college paper, where the allegations WEREN'T true."
Now THAT is odd. First of all, she repeats that the allegations weren't true, which, if she had worked with Melody at the Shorthorn (or if she'd read the full current article covering the controversy), she would realize was incorrect. Secondly and more importantly, according to Carracino Ms. Hunt was not involved at the UTA paper. In fact, it's not at all clear she even went to school there; she lists UT Austin as her alma mater. Surely that kind of memory loss is neither traumatic nor very believable as an excuse--you'd remember where you went to college. I'll leave you to chew on that one as the hearings begin.
--TJ
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